The Daily News
1 Got home a little late last night, which sort of works out beautifully for trying to eat more healthily.
2 Instead of cooking a huge meal, I decided to eat a bunch of raw veggies. I even ate a red pepper as though it were an apple.
3 You know how after a long day you want to eat a horse or something? I just had a glass of water, looked in the fridge about eighteen times, and decided to grab a bunch of rabbit food.
4 It totally worked. I dipped it in some salsa, ate, enjoyed, and had a couple of pieces of turkey to make it all seem real.
5 So I guess I’m now on a sort of late rehearsal diet. It used to be McNuggs back-in-the day.
6 Fortunately I have a few friends who are into nutrition. I looked at a few videos on how McNuggs are made and thought twice. Love ‘em, but no thanks.
7 Moving on, Part the First: To my daughter Caitlin, Mom told me about everything and I’m way glad you are okay sweetie. I love you! Just didn’t want to call too late. Can’t wait to see you!
8 Moving on, Part the Second: And Coley, Mom told me about your day too. I don’t know how your are dealing with things, but you are my hero you know. You are going to be that little girl’s hero as well. You are officially a champion teacher!
9 Moving on, Part the Thoid: Those of you who have been following the story of our school’s first musical know that I completely destroyed my song the other day due to a hack I have had on and off since December. The night before last I went home mortified that midway through my song, this post-nasal boushit crashed in and made me miss horribly on around six notes. David came in and rescued the song, but I was pretty upset, because I had practiced it diligently.
10 It happens. Show biz. Yesterday he asked me if I wanted to try it again, and of course I said, “Yes.” Knock me down nine times and I’ll get up ten. Or is it the other way around?
11 There was no way I was going to let that one setback beat me down. And had I taken that route, I would still be afraid of a stupid little song.
12 I had the post-nasal thing going on once more, but told David that in a way, it’s good that it’s there because I could try to adjust my breathing to jump up or over whatever is trying to keep me from hitting the right notes.
13 I think I did fine, although a couple of notes were a tad gravelly, and I didn’t focus on any sort of character development. I got through it, and nailed the last note with a reasonably okay sustain. Trying to put too much character and movement into the tune would have moved my focus. It worked. It wasn’t lovely, but it worked.
14 Not quite an epic comeback, but certainly a strong attempt at battling this thing.
15 Fortunately, the rest of the cast looked pretty sharp on what we call a stumble-through. They began the first act completely in character, crisp,nice and loud. The first act rocked, and everyone stayed focused and pretty amazing. The dances looked sharper, the singing louder, and the unity better than ever.
15 They added some classics, including Hoplessly Devoted, Sandy, and You’re the One That I Want. Those aren’t included in the Broadway stuff, but David knows that people are going to expect stuff from the movie.
16 Grease isn’t really about the raunchy plot. We all know that. It’s about this fun music that everyone and his brother knows. We Go Together finally worked. Last Friday they worked that number over and over and still had trouble keeping up with its speed. Yesterday they were all over it. What a rollicking, fun song! Always is. When they sang, “Always, be together…” I saw the spirit of a show ring through those fun lyrics.
17 It isn’t much to the outside world, but there is a sense of history moving through our show. Most of these guys have never been in a musical, and many have never really sung. Sometimes you wouldn’t know it. Our “Rump” sang Mooning a bit too loudly at first. His name is Lucas, and I had him a couple of years ago. I remember when he first got into drama; he was dazzled about being a part of such a fun thing, and he would give me reports of how he loved doing shows.
18 When Rachel told him to back off the mic a little, he humbly stated, “Sorry, I never worked with a microphone before.” So professional.
19 He backed off, and it sounded really nice.
20 That really stopped me, because these guys have been going at it as though they have all done musicals. A majority haven’t, which is part of this crazy thing that I am a part of, and that I wanted to be a part of for that very reason.
21 They did SO well on We Go Together that during our break between Acts 1 and Act 2 they couldn’t stop singing. It reminded me again of Godspell. David was giddy, and he started singing and making up songs about the different students.
22 It was an exciting moment. They were talking about all the stuff that kids putting on shows talk about: singing in class, picking up on normal life cues, like little lines from the play that ordinary people say in regular life, and then responding with the subsequent line from the show. You know, stuff that’s annoying to what I used to refer to as “the civilians,” but fun for the kids in the show.
23 The energy level soared with the opening of Act 2, a fun number called Shakin’ at the High School Hop. What a great way to begin the second act.
24 I watched, and was pretty afraid because of the post nasal and all. I didn’t care, because the show was stumbling along beautifully, and the spirit was one of pure excitement and fun!
25 These guys do Born to Hand Jive amazingly. It is by far their strongest ensemble number, complete with ridiculously fast and complicated choreo. They nailed it yesterday to hoots and hollers afterwards, which is what their characters are supposed to feel anyway. No Stanislavsky stuff there: the delight was genuine. Wonderful piece, and this was just on some Wednesday afternoon rehearsal, no costumes, band or anything.
26 I could go on, because anyone out there who loves Grease would probably enjoy a play-by-play. I didn’t suck, but I wasn’t at the same level as the kids. David and Rachel seemed to understand the voice concerns. Part of my personal concern is that the song was already a bit too high for me, but before this post-nasal stuff happened, I had nailed it pretty easily.
27 The song is supposed to be sung in a pretty high key, which I had been able to reach, even though an octave lower is WAY easier for me. I have a group of backing vocalists who I am going to name the Halos, because I love do-do-do wop stuff. There are at least eight or nine of them, and they really happen.
28 If I sing the tune in a lower key, they would have to adjust lower, and that is a part of the difficulty with the song. I really think now that it would probably be best to have me sing it lower, because the notes and lyrics are guaranteed. I have always sung better in lower keys anyway, and on the way home last night I sang it in the TOOOOOONDRA and easily it flawlessly.
29 I’m thinking of approaching both Rachel and David and asking if I could change it today. Today is a load-in day; the apron is being removed and the band is coming in. We might even have Greased Lightning in the theater today. Everyone is pumped.
30 We do anticipate perhaps some down time while sound checks go on, mics get adjusted, extension cords are searched for, and all that sort of stuff. I may ask Rachel if I could take the Halos (they don’t know that’s my name for them, but come on! Teen Angel and the Halos. Who could resist that?) into the dance studio and maybe re-work the tune. These guys are fast learners, and I do think it would add an entirely new dynamic to the show. I am fully confident that I could nail that tune if it is brought down to my current voice range.
31 I don’t know how much work that would be for Rachel, who is already dealing with the addition of the new songs, but hopefully it won’t be that tough.
32 Meanwhile, excitement crackles these days in the theatre, and we are all having a ball.
33 Something special happened yesterday. At the end of the rehearsal,the entire company formed an enormous circle at center stage. David does this periodically on good rehearsal days. It’s a bit like passing the handshake we used to do on show nights, and then the Hokey Pokey. We just brought in our tech people the day before, so suddenly we all got big. Circling up is already a tradition. Here’s how it goes:
34 David has everyone join hands, get low, say, “Ha, ha, ha…” etc. alternating feet to the rhythm, like elephants. When it hits everyone, they start to say, “Ohhhhhh…” with the circle backing up, and when the moment hits, everyone dashes to the middle and lets go just before we all crash into each other. It’s awesome! Sometimes a techie will pop the show music on and everyone sort of dances afterwards and has a ball.
35 This has been great fun, and I am honored to be a major part of it, even if I have choked a bit on my own stuff lately. I’ll improve, no doubt. And probably today, if I ever get any sleep!
36 So that’s the Grease update, coming to you live from H’s DN! Good reports, but lots of work left to do. Great company, and a really good-vibe show. I don’t think they even know I’m recording its history right here in the good ol’ DN.
37 I also know that my audience with this thing consists of many performers and people who have fond memories of doing plays and enjoying the magic changes and the memories. Many others are Tahoe people, including the fabulous Chirpettes of my personal Buddy Bird fame.
38 Sometimes I think I have the best job and best family and friends in the world.
39 Anyway, I hope you guys are enjoying this ride. It’s a rollercoaster, but a wild and strange one, and one that is filled with lots of fun. We’re having a ball, like do-wop-she wadda-wadda-dippdity-dip-de do. Remembered forever.
40 Go ahead.
41 Try not singing, chang-chang-changity-chang-she bop!
42 We’ll always be as one, wah-ooh, YEAH!
43 Hope that song runs through yer head all day!
44 Good times.
45 Gottago. Big day. Have pho.
46 Peace.
~H~

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