1 Wow. Can you really tell me it's Wednesday, AND almost March?
2 I ain't complaining.
3 So in yesterday's DN I boasted about treating my students to Ticonderoga pencils, by their company's own admission, The World's Best Pencil. Number 2's, no less. Caviar and champagne.
4 Before I gave yesterday's bubble test, I held the package up to my students and bravely announced that I had spent my own hard-earned coin to get them the very best in pencils. I was sincere. It was heartfelt, as you might well imagine. I received applause. I basked in my own glory.
5 The District gave a test and failed to provide pencils. I decided to provide the best pencils in the known world, at least according to the manufacturer.
6 Twenty seconds into the test, one of my smartest students walked up to me. He held his pencil out. The lead had fallen out of the end, leaving a gaping hole.
7 I broke into an enormous smile, and said glibly, "The irony is dripping!" He laughed, and shared a great moment. A few students saw what had taken place and laughed along with us. I muttered silently, "The World's Best Pencil."
8 Somewhere in there is a story which can be matched by everyone reading this.
9 Proof of God.
10 Moving on, Part the First: I love everyday stories. They just happen, and they happen to all of us.
11 Yesterday morning, for example, I saw a chair that had an enormous crack right between the back and the seat, rendering it pretty useless.
12 In this economy, this is somewhat of a tragedy, since getting another chair could be an eternity. Fortunately, I had another, but this is the second broken chair in two weeks.
13 I took a piece of printer paper and a black marker, and wrote the simple word "Broken" and then taped it to the chair. I put the poor fellow in the hallway, hoping the custodians would feel sympathy, put the lad out of his misery, and then replace him with a new chair.
14 I knew instinctively that the chair was a male, by the way. I figured only a boy would be able to break a chair so poetically.
15 I put him outside my door, against the wall. He looked lonely and confused.
16 I gathered myself together and moved on, as we all must do.
17 Later in the day, I packed all my stuff ready to go to rehearsal, and looked at the lonely chair sitting against the wall outside my door.
18 Penciled under the word "Broken" were the words "Like my heart. =( Mariano."
19 It was a poem. I took a pic, but it didn't at all capture the immenseness of the wall framing the chair. It wasn't a chair. It was a guy in the throes of eternal turmoil.
20 We've all been there.
21 I hope that tomorrow the prettiest girl in school asks Mariano if he enjoys ice cream, and then hands him a flower.
22 Some Winnie Cooper might just go up to this Kevin Arnold and make his day.
23 Those are the little stories that go on day by day.
24 Sweet.
25 Moving on, Part the Second: I was reminded of our difficulties years ago in trying to block Godspell yesterday. We went down to the Theater and another group was rehearsing something or other. We wound up having to block in the dance studio, very similar to the piano lab at YB.
26 David, our director, casually moved the Grease cast into this much smaller area, and blocked acts five, six, and seven with no tables, chairs, or props. I had done that on many shows when groups needed to use the stage.
27 It always makes for a difficult rehearsal, but the students displayed tremendous patience and laughter. At the end of the rehearsal, David had us gather in a circle and join hands. He gave notes, exactly the same way I used to do "Under the Clock" only this was mid-show. He told the students that we were on the verge of something truly special, the first musical in our school's history. He told us to hang tough for the ride.
28 It was amazingly similar to everything we ever didat YB. The cast was solid, and beginning to bond. David turned what could have been a disasterous rehearsal into a cause. I loved being a part of it, because I had a hand in trying to get a musical in that building for years. It was my first dream when I arrived at the Chill, and yesterday made that dream a potential reality.
29 The kids were great, and quite cooperative. Scenes were silly, but somehow with a show, we all knew that it was going to be a fun ride.
30 David had everyone bend over and do a sort of paleolithic grunting and stumbling, and the cast backed way out, still with hands joined, and then back in, screaming, "Wooooooooo!" and then when they almost crashed, threw their hands in the air in a pretty fun ritual.
31 It reminded me tremendously of the Hokey-Pokey that we used to do Under the Clock.
32 And I remembered Godspell in particular, the one I directed so many years ago. I remembered the frustration of trying to block a play in a classroom, having students stand on flimsy tables just to give an idea of how it would work.
33 We had been sequestered for almost three weeks, maybe more. I recall vividly when we finally got into theTheatre taking all sorts of acting blocks and stairways and hurling them into the pit, creating a wonderful acting area where we could break loose.
34 The set design was made by hurling platforms, blocks and stairs right below the apron. I don't think I ever changed it. Our rehearsal that day was sensationally creative, setting the tone for the remainder of the Show.
35 Yup.
36 That one is capitalized.
37 Godspell went on to become my favorite Show ever. Colorful, powerful, and with lightning timing, that show mesmerized audiences. The same audiences came each night, making them a part of the miracle. Circus music, clowns, singers who loved to sing, and colors changing everywhere turned our Theatre into a magical, mystical palace.
38 All Good Gifts.
39 Godspell was always magical. My very first year at YB we did Godspell, but I didn't direct it until years later. JoAnn Olvera Trembath directed it, and did a dandy job.
40 I was the musical director of that one, and it had the same magic. The incredible band became Daffy and the Ducks, and we used to jam like crazy in the band room. Tremendous fun, reeling and rocking. The Workshop grew out of those roots and never looked back.
41 My Godspell fed off that tremendous energy all those years ago.
42 Through the years I would bring to other Shows that would feature at least three or four Godspell songs.
43 They became almost religious to me as the years went by. I still play them on guitar to this day.
44 So I'm enjoying being a part of Grease. David cast me as Teen Angel, so I have been a nervous wreck about perfecting Beauty School Dropout. I keep experimenting with different versions. Yesterday I found a version online that is completely in my key, and I nailed it. I've practiced for weeks, but my feeble and frabjous mind just can't seem to memorize lyrics. Never really could.
45 But the past few years I've learned around seven or eight Sinatra songs, and that has helped. The version of Beauty School Dropout I heard yesterday dovetailed with that.
46 My deadline for nailing it is Thursday, so I'm pretty close. Yesterday it sounded good, at least to me. When you sing, you know when you have it and when you don't. I have a mic and all set up in my house. It's fun, but it's also stressful, in a benevolent way.
47 Yesterday the entire room swooned and swayed, which hadn't happened until, well, yesterday. I'm still nervous about the song, but at least I got one good rehearsal in before my deadline.
48 Anyway, we've miles to go before we sleep, but it is fun being a part of this reasonably historical Show, and I am happy to capitalize it.
49 Too many similarities. It's fun to be back in the mix.
50 I'll keep you posted. It's been six or seven years since I've been a part of a Show, so this is really fun.
51 Have a good Wednesday.
52 It IS Wednesday, right?
53 Peace.
~H~
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