Month: December 2008

  •    The Daily News

    Acropolis 3 ship

    Acropolis 1 Athens

    Acropolis 2 Zeus

    A OPA! 1

     

    1  A few years back YB went through its own personal epoch where we had this wonderful period called Greek Days.

    2  I'm not sure whose idea it was, but I'm fairly certain that it came out of the English department. It was a wonderful idea in many ways.

    3  What it was was a week where the entire school focused on teaching about the Greek culture and its influence on every subject in school.

    4  You don't have to travel too far to realize the impact that ancient Greece had on most every subject.

    5  In Drama, for example, it was no mystery to the students that it truly began in the 6th century B.C. and came out of celebrations of the death of Dionysus, the god of wine, drama, and being exceedingly silly.

    6  At one point in our brief history as human beings, we had a small window of time in which we moved from barbarism to civilzation. Any moron could point to Classical Greece to see the moment in human history when thought and reason began to move into all aspects of existence.

    7  Anyway, the school decided to do a full week in which we all came together and focused on this amazingly creative all-school celebration. P.E. had the Olympics, for example. Math had displays; as did English. The entire school was involved, some enthusiastically, some stubbornly, but all working together.

    8  I could be mistaken but I'm certain that the brains behind the concept came from Andrea Ocamb-Winters, who was a visionary player in our English department back then.

    9  I just remember that the WASC committee had visited and suggested that the school as a whole needed more interaction among the subjects, and needed to come up with some sort of cross-curricular interaction.

    10  I always knew the importance of the WASC committee, the people who basically give the school its USDA choice stamp on the school. WASC is a group of people who come in and take note on what the school does and does not do and gives a one-year, three-year, or six-year stamp of approval to each school.

    11 If your school scores high, it means it is taking active moves to de-compartmentalize and to move forward with a mission that is cohesive and clearly attempting to improve.

    12  If you get a one-year, it means they are going to start dropping in to all your business and remind you that you haven't quite done it yet. A three-year accreditation means you have three years to come up with an action plan that meets their suggestions with a plan involving actions, people responsible for seeing that the actions take place, dates, and evidence that improvement has happened.

    13  Pretty stressful for everyone. You wanted a six-year accreditation to take the pressure off, but few schools would get that. The pressure came down from the top, and nobody could hide from it.

    14  Many teachers and administrators felt they were being watched and criticized. If you were the slightest bit insecure it could cause you to crash to your knees in tears of despair and pray to the gods for the WASC committee to go away and leave you alone.

    15  I always saw them as one of the best things that could happen to a school, but I also wasn't on the committee that had to come up with the action plan. I knew immediately that in drama, for example, we needed to interact with our feeder schools, our colleges, the working public, and other schools in order to get high marks.

    16  We had already been doing things they wanted. Our Fair shows were some of the best days we ever had. I used to contact some of the teachers at our feeder schools (J.W. Fair being our main feed, thus the name) and invite them to a morning dress rehearsal of our Fall and Spring shows. Our students would get out all day and literally go through the entire process of a show: makeup at 8 a.m., relaxing with coffee, donuts, and the excitement of a 10 a.m. performance for the middle schools, followed by a Q and A session with the schools, and an afternoon of going class to class in costume to advertise our own shows.

    17  Likewise, Ponch and Shawna Fleming would interact with Fair and involve themselves in District festivals, CMEA festivals and all the rest.

    18  In the heyday, we would arrange to get over 150 student tickets to AMTSJ shows, college shows, and at one point free tickets to the drama performances from other schools. I saw WASC as an opportunity to make these things happen for students.

    19  The English department answered WASC with Greek Days, which was cross curricular in nature. To Drama, it was right up our alley.

    20  We were asked to put on an all-day show to which teachers could bring their classes. The Theatre became an all-day performance, absolutely grueling to the students, but REALLY fun! I had different classes stage different scenes which usually culminated in one large piece involving everyone.

    21  My two faves were a scene where we had a switchboard operator (Hermes) taking calls from all of the gods and goddesses. Hera, for example, would scream at the operator to be connected to Zeus, who was unable to come to the phone because he was secretly flirting with a goose. It was fast, swift, clever and fun.

    22  The second involved a narration of the history of Drama which was acted out by kids in togas. Naturally we made it funny, with lots of Greek music and shouts of Opa! encouraged from the crowd.

    23  It was a wonderful festival of fun, hard work, ridiculousness, and insanity, everything needed to give the students a fun time, and for the school to come together as a cohesive unit.

    24  My recollection is that we were accredited with a six-year ride, unheard of back then, especially for YB, which somehow had a reputation for being a low-performing school even though I always thought we were always WAY better than our reputation.

    25  Now a lot of this is sketchy; I'm going off a foggy memory, but overall, I always embraced Greek Days as a wonderful time for the entire school. Sure, some teachers thought it was intrusive, invasive and irritatingly off the curriculum. A lot of teachers would rather close their doors and be left alone.

    26  I dove into this, read everything I could about Greece, drank Ouzo and listened to Greek music when not at school, and utterly loved the entire concept.

    27  And when a teacher, or a number of teachers get excited about things, it instantly affects the students, who will often get just as excited. Long term, it works for everybody and helps a school become legendary.

    28  I say all this because I just began an incredible unit on The Oddysey. I found two amazing documentaries about the golden age of Greece, on a National Geographic piece about Troy: Beyond the Movie, and a second a PBS piece called Empires:The Greeks, Crucible of Civilization, both of which are amazingly informative and a grand total of maybe three hours.

    29  I again dove in and studied, figured things out, and came to class for the past two weeks excited and ready to rock. Not everybody buys into this stuff, naturally, but to me, it's the best unit I've created since JFK.

    30  In one week I've learned more about the Golden Age of Greece than I ever have  before. The stories are amazing and the entire thing has me listening to Greek music, studying (and teaching!) some of the most amazing epochs in human history, a period touching every area of education: science, mathmatics, literature, history, geography,art, music, drama, poetry, physical education, and on and on. Invariably I'll leave someone out, but every facet of education owes itself a bunch to this exciting, amazing age.

    31  The lessons are a little over three hours, but an awesome investment for the students, who yesterday enjoyed witnessing the rise of human intelligence, the celebration of knowledge and culture, and the inevitable fall of the empire, culminating in the poisoning  by hemlock of Socrates.

    32  My students watched as this vast empire fell apart, and in its end, watched hopelessly as the angry masses turned all of the blame on that great philosopher, who took his poison with grace and dignity.

    33  In the end, the film summed up all the contributions to mankind made in a short few hundred years, and it was aimed at the best and the brightest students.

    34  I've let students write while listening to music from ancient Greece, and have slowly created a world set and ready to take them through The Odyssey.

    35  I had one of my classes respond in writing and had words like "astonishing", "incredible", and "this is boring!" (there's always one!) coming at me from all directions, but about 90% of the responses were WAY positive and fun. I haven't had this positive of feedback since the halcyon days of JFK.

    36  In some ways, the rise and fall of kings and empires is an ancestor to the story of JFK. Epic stuff, and a grand celebration and tribute to Greek days.

    37  One administrator sneaked into my room and approached my department chair yesterday about why "...one of your teachers was showing a movie about Greece; I don't get the connection..."

    titanic 2 confused dawg

    38  Ah, poison by hemlock!

    39  Hmmm. I guess knowing about Greece is unrelated to the greatest of all Greek legends.

    40  My answer was, "Bring it." 

    41  How stupid have we become?

    vote 2 alfred

    42  Had I been a new teacher, I probably would have come apart, fallen to my knees, or more likely, run into the office and put that person right in their place.

    43  Now I just roll my eyes. Sorry it isn't going to bring test scores up and make you look good. Sorry that I brought some of the greatest thoughts and ideas of the ages to my students. Sorry I wasn't teaching students how to bubble in tests so we could bring our test scores up and make the school look better to the outside world.

    44  I won't go on. Simple minds. At what point in life did it come to this?

    45  Meanwhile, I'm about to embark upon The Odyssey with students whose worlds have already opened up beyond all of my expectations. You can't put a price on that, and I'm more excited than ever, and quite ready to hop on that ship and share that  wonderful voyage while I still can.

    46  Opa!

    ~H~

    A OPA 3 Parthenon

     

    cool guy 1

    http://www.xanga.com/bharrington

     

     

     

  • The Daily News

    Kiss today
    goodbye...






    1  I was absolutely stunned to awaken yesterday morning to the news that the American Musical Theatre of San Jose is closing its doors and filing Chapter 7 bankruptcy.

    2  AMT in many forms has been around since 1935, where it began as San Jose Civic Light Opera. I was around when it was still called that back in the early 80's. If you went to San Francisco for theater, you'd have gone to ACT; if you wanted musicals back then, you went to either the Hyatt in Burlingame, or the Circle Star Theater in San Carlos. Later, you could go see the Peninsula Civic Light Opera at San Mateo High School, but by and large, if you wanted musicals, our own CLO was the team to beat.

    3  I used to watch some of their shows out at the Civic Center, and later at their home, the Center for the Performing Arts. In my earliest days in the ESUHSD, I saw some of their older shows, which were okay. I actually felt at the time, when the Drama Workshop was just a pup, that we were close to their level in many areas.

    4  Then I saw Cabaret. I believe it was back in the early 80's. It began with the Master of Ceremonies atop a scaffold singing Wilkommen. He was doing well when there was an explosion. I''m guessing that given the times, it was probably something they shouldn't have used, because that was the mentality back then. But HUGE explosion on the scaffold. And guess what happened next?

    5  The Master of Ceremonies had disappeared from atop the scaffold and magically appeared at center stage in exactly one second!

    6  Within seconds, the entire San Jose community stood aghast. Up 'til then, you could always count on seeing a dutchman here, or some sloppy paint there, or a hideous sound system always. Maybe a bent nail. Painted duct tape.

    Cabaret didn't care about any of that. The show suddenly locked the entire San Jose theatrical community into a reverie, and ultimately, one of those theatrical moments that heightens the senses and elevates to levels that makes us all appreciate just what a grand performance could do for cultural edification, and just plain awesome entertainment!

    8  The scene where the young boy starts singing the haunting Tomorrow Belongs to Me as Nazi decorations fly in sent chills through everyone who had been through political changes in America. Reagan had been in office long enough for everyone to identify and appreciate the patriotism and flag-waving that Hitler used to seduce the Nazi youth movement, and the significance was not lost on anyone in the CPA that night.

    9  And when that song took us into intermission, the Truth ran high. The Cabaret was the only safe haven from the jingoism and Nazi madness out in the streets, both in the play, and slowly, on the very streets of America. Within seconds,  the doors of the house blew open and at once the audience saw, standing in every doorway, the sillhouettes of live Nazi soldiers. For many, it mirrored what was happening slowly to America, even way back then. In the play, real Nazis stood inside the Cabaret seeing to it that nothing bad was being said about the movement. And it all worked, as only true theatre can. The Nazis standing in the doorway represented what many felt America was slowly becoming, and it worked.

    10  Cabaret took San Jose into the bigs. It was shortly thereafter that they brought in the immortal Dianna Shuster, who transformed the extremely horrid San Jose theatre scene into a community the likes of which eventually rivaled the shows coming out of the great houses in San Francisco:  the Curran, the Orpheum, and the Golden Gate.

    11  I used to laugh at theatre anywhere outside of San Francisco. Most efforts were pathetic, so when I saw Cabaret in my own home town, I celebrated the arrival of a potentially magnificent theatre scene emerging before my very eyes. Overnight we had political, mad, insane and luscious theatre at its most decadent,  shrouded in the splendid fashion of Cabaret, the show that tells us it's okay to hide from all the madness, because "...In here, life is beautiful. Zee girls...are beautiful. Even zee orchestra (rim shot) is beautiful..." Ah, sheer decadence! Who could ask for anything more?

    12  For many years I would hook up with CLO and provide tickets at low cost to some of the greatest musicals of all time. I assumed that they would always be around, and for that I was forever grateful, because it is always fun to hit a musical downtown.

    13  When I got home from the basketball game last night, I began reviewing the article in the Merc News about the tragic fall of AMTSJ.  According to yesterday's article by Shay Qullen, AMTSJ

     "...will officially cease to exist later this week, and the upcoming performances of Tarzan and 42nd Street have been canceled."

    14  It's difficult really to voice the sadness of that. Last night I visited their page. Nothing had changed; it's as though they aren't quite yet ready to give in. 42nd Street, which I have seen twice at that venue, was to play this April. Here is their homepage as of last night. It's a come one, come all ad for the touring company of Chicago, which AMT staff was to help usher in. Yesterday's Merc reported that the Cabaret performances are canceled.  As of yesterday, their webpage still looked like this:





    15   What happened? According to Chief Financial Officer Robert Nazarenus, they received a phone call about two weeks ago from Atlanta's Theater of the Stars telling them that monies AMTSJ had given towards building a touring show of Disney's Tarzan had been use for "other things".

    16 

    17  In short, Atlanta's Theater of the Stars canceled the entire production with utterly no warning, and now AMTSJ has to file for bankruptcy.

    18
      Can you say "Lawsuit!"? Or "Outrageous!"?

    19  In one weekend the legendary AMTSJ was forced to scramble around, weigh all sorts of critical decisions, and then emerge having to fold. Someone else had spent their money recklessly, and now not only is one of the greatest cultural giants in San Jose going out of business, but the amount of jobs affected and lives ruined is utterly unspeakable.

    19  Most DN readers have enjoyed a show or two, and probably have some vivid memories of that grand company. I certainly do, and I bid them a fond farewell, as well as some prayers to the families immediately affected by all of this.

    20  It must be devastating.

    21  In the meantime, I also copied the AMTSJ Mission Statement, which they could be proud to have followed to the letter, as well as a history of every show they've ever staged.

    22  It's the least I could do.

    23  I keep hoping that a lot of this might be a means of gathering money from goodly citizens and corporations. In many ways I surely hope so. Meanwhile...

    24  Farewell AMTSJ. You will be missed. Your Student Preview Nights will forever remain in our hearts, as well as your awards, your presence in the community, and the fact that you are one of the very last existing class acts. You will be sorely missed. As an educator, I salute all you've done for the community, and particularly for the students. Always for the students. May drama live forever.

    25  Rock on.

    ~H~


     





    About AMTSJ
    Photo from On The Town  

    AMTSJ's Mission Statement

    The mission of American Musical Theatre of San Jose (AMTSJ) is to create the highest quality of musical theatre that inspires the spirit of our diverse community.


    AMTSJ History

    Entering its 73rd season, AMTSJ is one of the oldest musical theatre companies in America. A professional not-for-profit organization, we have been dazzling audiences with exceptional artistry and innovative approaches to musical theatre since 1934, when a group of community volunteers formed the San Jose Civic Light Opera Association. Our first season opened with The Mikado, and in subsequent decades, stars such as Theodore Bikel, Jane Powell, JoAnne Worley, and many more Broadway-bound local actors have brought their talent to our stage.

    AMTSJ is attended by 150,000 patrons, is supported by over 15,000 season ticket holders, and operates with a $9,800,000 annual budget. In addition to our main stage productions, AMTSJ brings the power of live performance to over 13,000 children, families and people with disabilities through 14 acclaimed education and outreach programs.

    With a strong commitment to a thriving arts community in Silicon Valley, AMTSJ is one of the founders of the San Jose Arts Round Table and sits on the boards of Team San Jose, The San Jose Arts Round Table, First Act, Theatre Preservation Inc and the University of Santa Clara. As the largest producing musical theatre company in Northern California, AMTSJ looks toward bright future by breathing new life into musicals, collaborating with our regional theatre partners, nurturing local artists, and engaging our community.

    AMTSJ Show History

    1935/1936

    The Mikado

    Chimes of Normandy

    1936/1937

    Pirates of Penzance

    The Gondoliers

    1937/1938

    HMS Pinafore

    1938/1939

    The Bohemian Girl

    Erminie

    1939/1940

    The Red Mill

    1940/1941

    Rio Rita

    1941/1942

    The Firefly

    Mlle. Modiste

    1942/1943

    Madame Sherry

    The Red Mill

    1943/1944

    The Merry Widow

    Naughty Marietta

    1945/1946

    The Firefly

    The Fortune Teller

    1946/1947

    The Sweethearts

    Rio Rita

    1947/1948

    The New Moon

    The Mikado

    1949/1950

    Countess Maritza

    1950/1951

    A Waltz Dream

    1952/1953

    Irene

    On The Bridge at Midnight

    1954/1955

    The Fortune Teller

    The Chocolate Soldier

    1955/1956

    The Merry Widow

    The Song of Norway

    1956/1957

    The Vagabond King

    Brigadoon

    1957/1958

    Carousel

    Guys & Dolls

    1958/1959

    Showboat

    Pajama Game

    South Pacific

    1959/1960

    Finian's Rainbow

    1961/1962

    Damn Yankees

    The King and I

    1962/1963

    Flower Drum Song

    West Side Story

    1963/1964

    Gypsy

    Kismet

    Carnival

    1964/1965

    The Music Man

    The Sound of Music

    Carousel

    1965/1966

    My Fair Lady

    Stop The World
    I Want To Get Off

    Li'l Abner

    1966/1967

    Camelot

    How to Succeed in Business Without Really Trying

    1967/1968

    West Side Story

    Funny Girl

    Oliver

    Little Me

    1968/1969

    The King and I

    Do I Hear A Waltz?

    The Song of Norway

    Sweet Charity

    Annie Get Your Gun

    Showboat

    1969/1970

    A Funny Thing Happened on The Way to The Forum

    The Fantasticks

    The Most Happy Fella

    1970/1971

    Mame

    Roar of the Greasepaint

    Man of La Mancha

    1971/1972

    Cabaret

    South Pacific

    Fiddler on the Roof

    1972/1973

    Company

    The Sound of Music

    Hello Dolly!

    1973/1974

    Promises, Promises

    Applause

    My Fair Lady

    1974/1975

    The Boyfriend

    Follies

    Guys & Dolls

    1975/1976

    Mack & Mabel

    Little Mary Sunshine

    George M!

    1976/1977

    Peter Pan

    The Music Man

    Seesaw

    Oklahoma!

    1977/1978

    No, No, Nanette

    Gypsy

    Fiddler on the Roof

    1978/1979

    Mame

    Oliver

    Showboat

    Jesus Christ Superstar

    1979/1980

    Damn Yankees

    City of Broken Promises

    West Side Story

    Carousel

    1980/1981

    Funny Girl

    Man of La Mancha

    The Sound of Music

    Fiddler on the Roof

    1981/1982

    Hello Dolly!

    South Pacific

    Paint Your Wagon

    Anything Goes

    1982/1983

    Annie Get Your Gun

    Cabaret

    Brigadoon

    Kiss Me Kate

    1983/1984

    The Fantasticks

    Sweet Charity

    My Fair Lady

    Two Gentlemen of Verona

    The Music Man

    1984/1985

    Camelot

    They're Playing Our Song

    Oklahoma!

    Annie

    1985/1986

    A Chorus Line

    Evita

    Barnum

    The King and I

    1986/1987

    Oliver

    Follies

    Best Little Whorehouse
    in Texas

    The Sound of Music

    1987/1988

    42nd Street

    Chicago

    Peter Pan

    Gypsy

    1988/1989

    La Cage aux Folles

    Sweeney Todd

    My One And Only

    West Side Story

    1989/1990

    Dreamgirls

    Pirates of Penzance

    Jesus Christ Superstar

    Guys & Dolls

    1990/1991

    Evita

    Me And My Girl

    The Wizard of Oz

    Pacific Overtures

    1991/1992

    George M!

    Chess

    Mame

    Little Shop of Horrors

    1992/1993

    Phantom

    Assassins

    Annie

    On The Town

    1993/1994

    No, No, Nanette

    Grand Hotel

    Pippin

    Fiddler on the Roof

     

    1994/1995

    Lunch

    42nd Street

    Man of La Mancha

    A Chorus Line

    1995/1996

    My Fair Lady

    A Little Night Music

    Once on This Island

    Rags — In Concert

    Crazy For You

    1996/1997

    Anything Goes

    Tommy

    The Will Rogers Follies

    Kismet — In Concert

    Me And My Girl

    1997/1998

    The Music Man

    Follies

    City of Angels

    The Most Happy Fella — In Concert

    Seven Brides For
    Seven Brothers

    1998/1999

    Hot Mikado

    La Cage aux Folles

    Big River

    South Pacific

    1999/2000

    Annie

    Children of Eden

    A Funny Thing Happened on The Way to The Forum

    Phantom

    2000/2001

    Singin' in the Rain

    Copacabana

    The 3hree Musketeers (American Premiere)

    Victor/Victoria

    2001/2002

    Disney's Beauty and the Beast

    Grease

    Evita

    Joseph and the Amazing Technicolor Dreamcoat

    Damn Yankees

    2002/2003

    Blast

    Miss Saigon

    The Sound of Music

    The Big Bang

    Swing

    Les Miserables

    MAMMA MIA!

    2003/2004

    Funny Girl

    On the 20th Century

    Dreamgirls

    Starlight Express

    Thoroughly Modern Millie

    The Producers

    2004/2005

    Peter Pan

    RENT

    Chicago

    A Chorus Line

    Lord of the Dance

    Tapestry: The Music of
    Carole King

    CATS

    Movin' Out

    2005/2006

    The Wizard of Oz

    Little Women the Broadway Musical

    West Side Story

    MAMMA MIA!

    Disney's The Lion King

    Gypsy

    STOMP

    Hairspray

    2006/2007

    Brooklyn The Musical

    Sweet Charity

    The King and I

    Christmas Dreamland

    Camelot

    Smokey Joe's Café

    Dirty Rotten Scoundrels

    All Shook Up

    2007/2008

    Guys and Dolls

    Go Diego Go Live!

    The Great Jaguar Rescue

    Jesus Christ Superstar

    Little Shop of Horrors

    Cabaret

    MAMMA MIA!

    Disney's Beauty and the Beast

    Disney's High School Musical

    2008/2009

    The Full Monty

    Flower Drum Song

    Chicago

    Disney's Musical Tarzan®

    Avenue Q

    42nd Street



    Fare thee well AMTSJ.

    Thanks for the memories.


    Truly.




    ~H~



  •  The Daily News

    lights 1 string

    1  I hope you flew through your Monday on steady wings.

    2  That's always a tough re-entry, right after a holiday weekend.

    3  I used to battle it and try to drag the holiday halfway into the Monday following.

    4  I've switched a bit. I now prepare for Mondays with as much vigor as an NFL quarterback prepares for a game.

    5  Let me qualify that.

    6  As a classic NFL quarterback prepares for a game.

    7  I will spent literally hours in advance so that I go into the week stronger than everybody else who is suffering the Monday blahs.

    8  It took me a long time to do that. My philosophy used to be that I deserved to rest as much as I could so I could give everything to my classes and all.

    9  Nope.

    10  I used to go in and try to wing it on Mondays. As I've become older and yes, maybe even a bit wiser, I go into each Monday armed and ready. It helps, because most people drag and lag, so in many ways preparation is key to getting a jump on the week.

    11  Now Tuesdays...

    12  Yeesh. I was feelin' good there for a second.

    13  I'll start considering preparing for Tuesdays on Wednesday.

    14  Today I have a full day, a meeting afterwards, and I'm doing the shot clock this afternoon and tonight for the girls' basketball games.

    15  Gotta love it.

    16  Moving on: is it just me or are the Christmas decorations coming out slowly this year?

    17  I'm trying like heck to ride around and check out the newest fangled lights and displays and all. I was in Orchard on Sunday and they had these fake trees with Christmas lights that tried to dance to the music.

    18  Pretty hokey. The just blinked on and off to beats. Twinkles might work better, especially if they could perform like a classic color organ.

    19  Color organs are from way "back in the day". They looked like small stereo speakers but had gravely plastic windows instead of cloth. Inside, they had colored lights that blinked to the beats of whatever music went through them.

    20  WAY ahead of their times. They're doing that now with Christmas lights. But we have only one guy who is religious enough to have his stuff going on like Butler Amusements.

    lights 3 carnival barker

    21  I love driving around looking at Christmas lights. Actually, I just love driving around, period. But it's especially enjoyable at Christmas time. I used to jokingly point out dark houses to my daughters and I'd always quip, "They must not be very religious!"

    22  I want to design my place a little better this year. I usually come close to doing what my good old friend and confidant Brian Daley's family used to do.

    23  They had an annual "Throwing of the Lights", in which their entire family would gather on his upstairs porch and await their dad's arrival with an armload of Christmas lights. When he'd finally emerge through the front door, there would be applause, followed by a hearty count-off, usually after a few cocktails, and when he wuold say, "Three!" he would heave the lights out over a bush below him, walk back inside, and plug them in. This would be followed by cheers, hoots and hollers from every neighbor on the block.

    25  There they would stay until mid-January, when Walt (Brian's dad, Walt Daley, who was sportswriter for the San Francisco Examiner) would unplug them, gather them up and place them back in the attic, or wherever they had originated.

    26  Every year I'm tempted to re-institute the "Throwing of the Lights" but I always stop, and do the same old thing. I go up and pop them around the roof, come down, draw some into the bushes, and get out of dodge.

    27  Anyway, even if it's that simple I still feel like Chevy Chase every Christmas.

    28  Well, no matter. I'm just wandering here.

    29  Trying to avoid the real issue at hand which is this:

    30  How the heck am I going to make it through Tuesday?

    31  I guess I'm about to find out.

    32  Y'all have a good day. Put your lights up, willya? I need something to do tonight on the way home.

    lights 2 carnival

    33  Peace.

    ~H~

    a crazy cuppa

     

     cool guy 1

    http://www.xanga.com/bharrington

     

     

     

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